From Chapter 2:
Among the general audience of the theatre smoking seems to have been usual also. The anti-tobacconists among those present, few of whom were men, must have suffered by the practice. In that admirable burlesque comedy by Beaumont and Fletcher, "The Knight of the Burning Pestle," 1613, the citizen's wife, addressing herself either to the gallants on the stage, or to her fellow-spectators sitting around her, exclaims: "Fy! This stinking tobacco kills men! Would there were none in England! Now I pray, gentlemen, what good does this stinking tobacco do you? Nothing, I warrant you; make chimneys a' your faces!" But many women viewed tobacco differently, as we shall see in the chapter on "smoking by Women." Moreover, this good woman herself, in the epilogue to the burlesque, invites the gentlemen whom she has before abused for smoking, to come to her house where she will entertain them with "a pottle of wine, and a pipe of tobacco."

From Chapter 7:
At Oxford in early Georgian days a profound calm—so far as study was concerned—appears to have prevailed. Little work was done, but much tobacco was smoked. In 1733 a satire was published, violently attacking the Fellows of various colleges. According to this satirist the occupation of the Magdalen Fellow was to
drink, look big,
Smoke much, think little, curse the freeborn Whig—

from which it may not unreasonably be surmised that the author was a Tory; and however little enthusiasm there may have been at Oxford in those days for learning and study, there was plenty of life in political animosities.

Another witness to the dons' love of tobacco is Thomas Warton. In his "Progress of Discontent," written in 1746, he plaintively sang:

Return, ye days when endless pleasure
I found in reading or in leisure!
When calm around the Common Room
I puff'd my daily pipe's perfume!
Rode for a stomach, and inspected,
At annual bottlings, corks selected:
And dined untax'd, untroubled, under
The portrait of our pious Founder!